Shiny Beast · Mailorder
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1822 CA  Alkmaar
The Netherlands
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PSYCH/PROG/BLUES/STONER/SPACEROCK - Single (7")

0480426 7"
HYP 7

 2090504804264
 HYPNOTIC BRIDGE
BLACK WATCH - CRYING ALL THE TIME!
Serenaded by seraphic vocals and glimmering guitars, long going Santa Barbara-based unit The Black Watch delivers three tracks of gloriously delirious pop-psych.
PSYCHEDELIC/PROGRESSIVE
12/07/2019
  12.95
              EUR
0480427 7"
HYP 8

 2090504804271
 HYPNOTIC BRIDGE
ELECTRIC LOOKING GLASS - DEATH OF A SEASON/SOMEWHERE SOON
Debut single by this baroque pop band from Los Angeles, CA. Swirling 7" vinyl with mind wobbling artwork by Mat Dunlap.
PSYCHEDELIC/PROGRESSIVE
19/07/2019
  12.95
              EUR

PSYCH/PROG/BLUES/STONER/SPACEROCK - LP (Album)

0480993 LP
OZ 1000

 0778578900014
 SHROOMANGEL/OZONE
OZ KNOZZ - RUFF MIX
First legitimate reissue of one of the best US private press hard rock/progressive rock albums of the 1970s, from the master tapes. Only 250 copies available. Formed in 1969 in Houston, TX, Oz Knozz's original crew included multi-instrumentalists Jack Alford, Bill Massey and Duane Massey. Alford left the group in 1971 and was replaced by drummer Marty Naul, while the next year the trio was joined by guitarist Richard Heath. The band had also a three-man horn section, which was dropped quite fast, although horns remained a part of the band's sound, even on their rare and epochal 1975 private press debut 'Ruff Mix,' released on the band's own Ozone label. 'Ruff Mix' mainly grooves in hard rock territory, the second track 'Peanut Butter Yoni' sounds a bit like Judas Priest with a proto-metal feeling. Yet the album also has elements of progressive rock, horn rock and pomp rock. Like most bands of the era, the idea may have been to take a shot at a few different styles to see if something would stick_ the theory being that a major label might hear the private album by chance and sign said band so they could open for Led Zeppelin or Foghat's next US tour... or something like that. What separates Oz Knozz from other bands is a strong compositional component; they have plenty of original ideas and muster superb instrumentation. The guitar work ranges from hard and powerful to melodic and bluesy, and is supported by some great keyboard, including awe-inspiring organ and synth waves. The three-part 15-minute 'Doodley Squat' suite features heavy dual keyboard parts, crunchy guitars and expressive vocals; the result is a terrific hard prog track with lot of energy. Strange to say about a hard rock album, for many the standout track is the groovy and infectious horn rocker 'Love Poem,' which sounds like it easily could have been from 1969. High energy and impressive songwriting.
PSYCH/PROG/BLUES/FOLK
30/06/2019
  29.95
              EUR

PSYCH/PROG/BLUES/STONER/SPACEROCK - Compact Disc

0480448 2xCD
DISTCD 101

 DISTANCE
BRADSHAW-LEATHER, DON - DISTANCE BETWEEN US (2CD)
Not much is known about Don Bradshaw-Leather, but his self-released 1972 LP 'Distance Between Us' is certainly one bizarre egg. It's not without reason that it is included in the infamous Nurse With Wound list of Steven Stapleton's favourite weird records. The four lengthy tracks here are dense, swirling and hellish tapestries of blurred instrumentation, squawking voices and seemingly no layout of progression from point A to point B in various movements (i.e. it's all one giant progression, but almost like a dog chasing its tail in a mad frenzy).
PSYCH/PROG/BLUES/FOLK
14/06/2019
  22.95
              EUR

PUNK/HARDCORE/77 PUNK/GRINDCORE/CRUST - LP (Album)

0480364 LP
UP 72

 2090504803649
 UGLY POP
RAW POWER - '83 DEMO
One of the fiercest, most violent punk sessions ever recorded, the legendary Italian hardcore outfits 1983 Brown Studio demo has unbelievably never appeared on vinyl in its original form (although you'll recognise Fuck Authority, culled from here to appear on MRR's 'Welcome To 1984' comp). Nineteen songs of feral thrash in 23 minutes, kicked out with unreal fury, chainsaw guitars and savage vocals. Remastered by Raw Power freak James Cavalluzzo (Malhavoc) from an original copy of the demo, this has been beefed up without sacrificing the essential rawness. Ugly Pop is proud to present this killer 12", released in a limited pressing with the band's cooperation.
70s/80s/90s PUNK/HC
26/05/2019
  21.95
              EUR

INDUSTRIAL/NOISE/DARK AMBIENT/RITUAL - Compact Disc

0479378 CD
OECD 273

 2090504793780
 OLD EUROPA CAFE
INCAPACITANTS - OSTRACIZED ENIGMATIC CONQUEROR
A corrosive and psychedelic-noise album by this primal duo of the Japanese industrial-noise culture! Three devastating tracks to listen at maximum volume for high hearing damage. Two studio tracks and one live recording.
INDUSTRIAL/DARK AMBIENT
29/06/2019
  15.95
              EUR

ELECTRONIC/AMBIENT/DUBSTEP/D'N'B/EBM - Compact Disc

0480611 CD
IF 93

 8016670137016
 INFINITE FOG
STEARNS, MICHAEL - ANCIENT LEAVES
Reissue of a pure gem of early ambient music. Michael Stearns is a multi-genre music composer and soundtrack designer/producer. His credits include music for Ron Fricke's non-verbal 70MM films 'Chronos', 'Baraka' and 'Samsara' (with Lisa Gerrard and Marcello De Francisci), music for NASA, Laserium, Disney films, HBO, ABC, PBS, BBC, Discovery Channel and James Cameron's 'The Abyss', 'Titanic' and 'Avatar'. Michael works in his studio The Guest House in Santa Fe, New Mexico. In 1975, Michael moved from Tucson to Los Angeles to study with Emilie Conrad at the Continuum Studio. Emilie had 'live' music for her 'movement meditation' classes, and Michael began performing with Fred Stofflet, Gary David, and Don Preston. 'Ancient Leaves' was Michael's first album, recorded in 1976/77 with a Mini Moog synthesizer and a Finnish lap harp (kantele) onto 4 track tape. To the other instruments, Michael added Emilie chanting, an ascending choir with Susan Harper and Linda Olsen as vocalists, Gregorian chants and night ambience recorded in the desert outside of Tucson, Arizona, his hometown. It was initially released on LP and cassette. The 'B' side, 'Elysian E' was performed with an Arp String Ensemble played through an MXR digital delay, one of the first, then slowed to half speed. To this he added Moog and EML synthesizers, The Beam and his voice. Mastered from the original source by Martin Bowes (Attrition) in The Cage Studio.
AMBIENT
18/06/2019
  15.95
              EUR